[18] Other critics accused the movie of being conventionally staged, similar to a Tatort-police procedural TV series,[24] or let off steam about the "graffiti-scenes and a nearly never-ending escalating party scene."[22]. The Third Wave did not attract much media attention at the time it happened. In the chaos, Sinan starts a fight with an opposing team member, the two almost drowning each other. When speaking, they must stand and give short, direct answers. Add to Wishlist. This film was based upon a real life incident where a professor showed how, in a liberal democracy, fascism could take hold. While on the one hand Wenger is filmed in low angle shot and sings rock music in the opening sequence, on the other hand he seems depressed in this last scene. The group is shown to grow closer and the bullies Sinan and Bomber are shown to reform, protecting Tim, the class outcast, from a pair of anarchists. It is based on Ron Jones' social experiment The Third Wave and Todd Strasser's novel, The Wave. [13] He made the film in a way that should have a “seductive effect” on the viewers to make them interested in The Wave and by doing so show the powerful attraction such a movement can have. However, in the Third Reich the house caretaker was just as fascinated by the movement as was the intellectual.”[12]. It also analyzes reviews to verify trustworthiness. [16], Throughout the film high and low angle shots are used in order to express the balance of power, those at the “top” and those at the “bottom”. Sinan also creates a distinctive logo for the group, while Bomber creates a salute. Tim explains to his shocked friends that the pistol only fires blanks. Tim becomes very attached to the group, having finally become an accepted member of a social group. Stuart. It has sold a total of over 2.5 million copies. Evil is something that you learn [Sweden]. The experiment went on to be fictionalized in the 1981 after-school special The Wave, and a 2008 German film by the same name (Die Welle). Jan Plewka wrote and recorded a song for the film, Was Dich So Verändert Hat, in both a German and English version. A chilling insight into our deepest frailties and shortcomings, and hidden evils that are part of the human condition. The overall budget of the movie amounts to 4,5 million euros and the movie was shot within 38 days. One day later it was first screened in Austrian movie theaters. 1981 Todd Strasser (Morton Rhue) Novelization “The Wave”. It's certainly massively entertaining and kept my attention well throughout. 2019 Netflix Germany Miniseries “We Are The Wave”. We Are the Wave 2019 16+ 1 Season German TV Shows A mysterious classmate leads four idealistic teens in a revolt against a rising tide of nationalistic fervor, but their movement takes a dark turn. He then explains that, for example, Karo's political awareness and opposition arise out of vanity: she does not like the white shirt. Once in the rally, Wenger has the doors locked and begins whipping the students into a fervor. [22] Why the teacher, established as an authority person, becomes a victim of his own staged role play, “remains puzzling“, the critics claim. As with many German films, The Wave is social criticism, but at its heart, it is a political drama, and political movies, like romantic comedies, must be forgiven their predictability. The movie itself is shaped like a proverbial wave, starts gently and slowly gathers momentum and before you know it it turns into a powerhouse. Die Welle (The Wave) is a 2008 German socio-political thriller film directed by Dennis Gansel and starring Jürgen Vogel, Frederick Lau, Jennifer Ulrich and Max Riemelt in the leads. So the, Bar none, the best movie I have ever seen, Reviewed in the United States on January 14, 2013. The special effects of the wave were great and it is nicely filmed. He begins by demanding that all students address him as "Herr Wenger", as opposed to Rainer,[3] and places students with poor grades beside students with good grades — purportedly so they can learn from one another and become better as a whole. We blame others, for example the less educated or the East Germans etc. As many others on here have commented though it does have one or two flaws to stop it from being an amazing film. What begins with harmless notions about discipline and community builds into a real movement: The Wave. [9] Gansel was working on the book for one year until he asked Peter Thorwarth to join him as a co-author. In probing the underpinnings of fascism, The Wave is far from a social-studies lesson. The major difference, however, concerns the physical violence and the bloody end which became part of the movie. The film was produced by Christian Becker for Rat Pack Filmproduktion. Wenger shows his students the effect of marching together in the same rhythm, motivating them by suggesting that they could really annoy the anarchy class, which is below them. Ron Jones first went public with the story in a self-published collection of short stories he wrote in 1976 called No Substitute for Madness! 89. He's incredibly human and very believable. She replies that The Wave has brainwashed him completely, and he slaps Karo, causing her to get a nosebleed. It's also sends the perfect message of how vulnerable kids are to an idea. Berlin, Germany - April 18th, 2018 -- Netflix, the world’s leading internet entertainment service, continues its investment in Europe with today’s announcement of The Wave, the third original series coming from Germany. The idea that the teacher and manipulate a group of teenagers to form a quasi-fascist, semi-violent group is not unbelievable. It shows you how the masses have been and can be controlled to do either good things, not so good things, and bad things. [21] He played his role realistically,[19] was “credible”[6] or the ideal cast. When his students, third generation after the Second World War,[2] do not believe that a dictatorship could be established in modern Germany, he starts an experiment to demonstrate how easily the masses can be manipulated. [8] As a consequence, Morton Rhue whose novel popularized the material in Germany and the publisher Ravensburg did not receive direct revenues from the film project. The series has historical roots that draw loosely from Morton Rhue’s novel The Wave, … Thereby he described Jones, who supported the film project as a counselor, as a "living certificate of authenticity“ and that the ending was inspired by the Emsdetten school shooting. At this, the beginning of every new day of the week is marked by an insert. He starts an experiment to show how easily the masses can become manipulated. “Therein lies the great danger. [10] He claimed that Jones does not like the way the characters in Rhue's novel are depicted. He burns his brand clothes, after a discussion about how large corporations do not take responsibility for their actions. They criticized that the psychological developments are missed out, Wenger and the other figures are partially constructed by cliches,[19] or defined by “something model-like”,[6] they also argued that the figures are “slightly oversubscribed stereotypes”[23] or “placeholders”. The Wave rides high (pun intended) on the new wave of film makers from Germany. Fantastically well acted by Jurgen Vogel, Max Riemelt and Frederick Lau. A school teacher discusses types of government with his class. In the same year, Morton Rhue published his book "The Wave", which was published in Germany in 1984 and has since enjoyed great success as a school literature text. We Are the Wave (German: Wir sind die Welle) is a German coming-of-age drama web series that is loosely based on the 1981 novel The Wave by Todd Strasser. The final images show Wenger in the back of a police car, staring into the camera overcome with distress. Wenger uses this to test the students to see how extreme the Wave has become. The Wave was released with 279[27] copies in Germany on 13 March 2008. The original film score was composed by Heiko Maile, a member of the band Camouflage. It was successful in German cinemas, and after ten weeks, 2.3 million people had watched it. Similar experiences of various characters, for instance, scenes in which students tell their parents about their day at school, are realized as cross-cutting and thus demonstrate the range of different perceptions of the day. Comment Report abuse. "Slow motion shots reflect [his] tormenting self-reproaches." One of the most disturbing films that I have seen for a very, very long time. 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